Mondrian’s whites rounded up for deportation
for being complex
and very fast. He built
layer on layer.
A follower of Madam
Blavatsky, he needed
to get beyond a world
of forms where late-
Roman frescoes still
show the gods of the
harvest: in winter &
spring the dance, but these
never depict the slaves
working the fields
bringing in the wealth, waiting
on the darker gods
that devour all the light –
all the color of the world.
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